MEL BAY COMPLETE ELECTRIC BASS GUITAR METHOD BOOK

Description: Roger Filiberto's widely-used beginning bass method is now available in one comprehensive book! Includes handy arpeggio charts featuring major, minor, augmented, diminished, and dominant seventh chords, plus their upper harmonic extensions. Applicable to any style of music, this method has gained widespread acceptance as the foundational text for electric bass study! Includes audio and video download files online. THE RUDIMENTS OF MUSIC The Staff The Bass Clef Notes Rests The Time Signature Electric Bass Fingerboard Chart STUDY ON OPEN STRINGS Whole Note Study Half Note Study Quarter Note Study NOTES ON THE FOURTH STRING Jump Off Half Time Speeding It Up Dotted Half-Note Three-Four Time Mixin’ It Up The New Comer NOTES ON THE THIRD STRING A String Study Half Note Study Quarter Note Study Review on E and A String More on A String E and A String Quiet Like Review Notes on E and A String NOTES ON THE SECOND STRING Review on all Three Strings NOTES ON THE FIRST STRING Four String Review THE “C” NOTE The Key of C The C Scale Diatonic Passages in C More diatonic Sequences A STUDY IN THIRDS Key of C Lightly Row The Tie Careless Love Folk Song in C Western Folk Song Cielito Lindo “Boogie” in C THE REPEAT SIGN On Top of Old Smokey Walking the Bass Saints Come Marching In Study of Fifths in C INTRODUCING THE SHARPS (#) AND FLATS (b) E-String A-String D-String G-String Typical Bass Part, Using Sharps and Flats THE EIGHTH NOTE Eighth Notes and Eighth Rests Example-Using Eighth Notes The Dotted Quarter Note Twelve Bar Boogie in C More Boogie in C THE KEY OF G The G Scale Thirds in G Eight to the Bar Boogie in G More Eight Bar Boogie Eight Bar Blues in G Standard Boogie Beat Daily Drilling THE SCALE OF F MAJOR Arpeggio Study Scale Pattern Study in Thirds (Key of F) More Study of Thirds in F Major Italian Boat Song Study in Fifths THE TRIPLET Two “Circle of Sixths” Patterns Example (Using F# and More Eighth Notes) THE SIXTEENTH NOTE More in C Still More in C Rock and Roll-Rhythm and Blues-Boogie Patterns Four Bar Blues Pattern in C BASS PARTS C Major C Minor C Seventh C Ninth C Major 7 C Minor 7 C 6 C Mi 6 C Mi 9 C Major 9 C – 9 C 9 + C 11 C 11 + C 13 C 13-9 C 9/6 THE MAJOR CHORD ARPEGGIOS The Major Seventh Arpeggio The Dominant Seventh Chord Arpeggio The Major Sixth Arpeggio The Minor Chord Arpeggio The Minor Seventh Arpeggio The Minor Sixth Chord Arpeggio Minor Sixth Arpeggio The Diminished Chord Arpeggio The Augmented Chord Arpeggio The Seventh b5 The Seventh +5 Chord The 9-5 Chord Arpeggio The Minus Ninth Chord Arpeggio The Major Ninth Chord Arpeggio The Augmented Ninth Chord Arpeggio The Eleventh Chord The 9/6 Chord Arpeggio AN ORCHESTRATION STYLE THE TYPES OF INTERVALS Major Perfect Minor Diminished Augmented THE MAJOR INTERVALS THE PERFECT INTERVALS INTERVAL MEASUREMENT Unisons or Primes Major 2nd Major 3rd Perfect 4th Perfect 5th Major 6th Major 7th Perfect Octave C TO D7-TO G7-C 16 BAR WALKING BASS PATTERN In Key of G – Three Chord Cycle TONIC-DOMINANT IDEA 8 Bar Pattern - Key of C Key of G Key of D Key of A TONIC DOMINANT IDEA Key of Bb Key of Eb Key of Ab MAJOR CHORDS Triads The Major Chord Scale of D Major Study of Third’s in D Drink to Me Only With Thine Eyes Study of Fifth’s In D Walking Bass Pattern In D Another Walking Bass Pattern In D Diatonic Study in D 12 Bar Blues Key of D THE MINOR CHORDS The Notation of the Major and Minor Chords A Table of Major Key Signatures The Major and Relative Minor Keys TABLE OF SCALES G Major Ab Major A Major Bb Major C Major Db Major D Major Eb Major E Major F Major THE DOMINANT SEVENTH CHORD The Notation of the Dominant Seventh Chord 8 BAR-3 CHORD CYCLE IN C 8 BAR-3 CHORD CYCLE IN Db D Major Eb Major E Major F Major Key of G Key of Ab Key of A Key of Bb THE AUGMENTED CHORD Root—Major Third—Augmented Fifth The Note-Spelling of the Augmented Chord The Harmonized Harmonic Minor Scale KEEP MOVING NO. 1 – WALKING PATTERN IN C KEEP MOVING NO. 2 – WALKING PATTERN THE DIMINISHED SEVENTH CHORD The Diminished Chords on the Chromatic Scale Bb MAJOR SCALE Boogie in Bb Twelve to the Bar – Triplet Study in Bb Walking Bass 3 Chord Pattern in Bb Typical Bass Accompaninet To The Following Chord Cycle in Bb Same Chord Pattern In “Walking Bass” Style Typical Bass Part to the Following Chord Cycle In D Major Triplet Study in D “Walking” Bass Style V POSITION STUDY BOOGIE BEAT IN C 3 CHORD BLUES PATTERN IN G 12 BAR RHYTHM AND BLUES STUDY-IN KEY OF C TYPICAL BASS PART TO THE FOLLOWING CHORD CYCLE IN C MAJOR C, A7, D7,G7,C Same Chord Pattern in “Walking” Bass Style SPOOKY STUFF A Minor Jazz Mode 8 Bar 3 Chord Cycle-Walking Bass Pattern in A Minor Four Bar Vamp or Intro. More 4 Bar Intro. Relaxing (2nd and 4th position moveable) Easy Does It (2nd and 4th position moveable form) Key Largo Blues – 3 Chord Pattern (2nd and 4th position moveable) A Study in Octaves Typical Bass Part in F with wide Range of Chords Study of Fifths in G Rhythm and Blues Pattern in G (This is a moveable pattern) More Walking Bass 3 Chord Pattern (Key of C) Diatonic Study in Eighth Notes Rhythm and Blues Pattern in C (This is a moveable pattern) Rhythm and Blues in E Walking Bass 3 Chord Pattern (Key of G, this is a moveable pattern) Diatonic Sequence in G Tenths Study (On 4th and 1st Strings) Octave Study (Using 1st and 3rd fingers on 4th and 2nd strings) Little Brown Jug (Practice in First Position) THE C MAJOR SCALE IN 2ND POSITION AND 7TH POSITION ARE FINGERED ALIKE Seventh Position Scale (Containing Bb) American Patrol (A study in syncopation, 7th position) This BOOK is brand new. 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Price: 18.99 USD

Location: Bridgeton, New Jersey

End Time: 2025-01-30T16:54:43.000Z

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