Sharp DANIEL HUNTINGTON 1800s Engraving "The Art Connoisseur" SIGNED Framed COA

Description: --> Four Centuries of the world's finest artists from our collection to yours --> Thank you for visiting... Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS Please feel free to ask any questions you might have about this work and we will answer promptly.International bidders are always welcome to bid and we combine shipping on all orders. --> Artist: Daniel Huntington (American, 1816 – 1906)Title: Philosophy and Art Medium: Antique steel engraving on wove paper after the original oil on canvas by master engraver William Ridgway (British, 1855-1885). Signature: Signed in the plate.Year: 1878Condition: ExcellentDimensions: Image Size 7 3/8 x 9 inches. Framed dimensions: Approximately 16 x 18 inches.Framing: This piece has been professionally matted and framed using all new materials. Additional notes: This is not a modern print. This impression is more than 135 years old. The strike is crisp and the lines are sharp. The original oil on canvas is housed in the Los Angeles County Museum of Art. Extra Information:Although most of Huntington’s long career was taken up in painting more than one thousand portraits, he also painted landscapes and probably thought of himself as a painter of allegories and ideal subjects. His interest in religious and allegorical painting had been kindled by the Raphaelesque Italian and German ideal subjects he had seen in Rome on his first trip to Europe in 1839. By the 1860s his models were the Venetian artists of the High Renaissance, especially Titian (c. 1488-1576), whose example can be seen in the costumes and figure types depicted in Philosophy and Christian Art. The model or the type of the old man also appears in Huntington’s Sowing the Word, 1868 (New-York Historical Society). The influence of the Venetian school can also be seen in the rounder forms and richer palette of his paintings of this period. Even the halflength format seems to echo Venetian examples. The model for the painting to which the young lady gestures, however, appears to be The Adoration of the Shepherds, 1650, by José Ribera (1588-1652) in the Louvre, Paris. The painting is conceived as a conversation between embodiments of opposing, but equally worthy points of view. The wisdom of the aged scholar, reading a book by lamplight, is contrasted with the intuitive perceptions of the young woman who examines a work of art by the daylight signified by the window. Huntington has cast in terms of ideal figures one of the pressing problems of his own times, when scientific findings seemed to challenge the truth and wisdom of religion conveyed by artistic and other nonscientific forms of perception. Artist Biography:Daniel Huntington was an American artist, born in New York City, New York, the son of Benjamin Huntington, Jr. and Faith Trumbull Huntington; his paternal grandfather was Benjamin Huntington, delegate at the Second Continental Congress and first U.S. Representative from Connecticut. He studied at Yale with Samuel F.B. Morse, and later with Henry Inman (painter). From 1833 to 1835 he transferred to Hamilton College in Clinton, New York, where he met Charles Loring Elliott, who encouraged him to become an artist. He first exhibited his work at the National Academy of Design in 1836. Subsequently he painted some landscapes in the tradition of the Hudson River School. Huntington made several trips to Europe, the first in 1839 traveling to England, Rome, Florence and Paris with his friend and pupil Henry Peters Gray. On his return to America in 1840, he painted his allegorical painting "Mercy's Dream", which brought him fame and confirmed his interest in inspirational subjects. He also painted portraits and began the illustration of The Pilgrim's Progress. In 1844, he went back to Rome. Returning to New York around 1846, he devoted his time chiefly to portrait-painting, although he painted many genre, religious and historical subjects. From 1851 to 1859 he was in England. He was president of the National Academy of Design from 1862 to 1870, and again in 1877-1890. He was also vice president of the Metropolitan Museum of Art. Accompanied by a Certificate of Authenticity and is Fully Guaranteed to be Certified as Described Framing Any framing included in a listing is double matted and framed in a solid wood moulding. We can also frame any pieces not listed as such. Please contact us for pricing. We are usually half the price of a regular framer. Shipping Packages are shipped the next business day after confirmed payment is received. If you are making multiple purchases, please request an invoice so that we may combine shipping charges for you. Guarantee We guarantee all our listings to be 100% as described Returns Returns are accepted up to fourteen days after receiving your purchase. Buyer accepts responsibility for any additional shipping charges. | Click here for HOT DEALS | Click here for our NO RESERVE AUCTIONS |

Price: 234 USD

Location: Cape Coral, Florida

End Time: 2025-01-31T02:55:30.000Z

Shipping Cost: N/A USD